试用皮尔斯符号学解读中国画的图式内涵——以明末清初陈洪绶绘画为例
胡太南
On the Schema Connotation of Chinese Painting from the Perspective of Pierce Semiotics:
Taking Chen Hongshou's Paintings in Late Ming and Early Qing Dynasty as an Example
HU Tai-nan
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2020, (5): 120
-126
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DOI: 10.12152/j.issn.1672-2868.2020.05.016